For this new creation, the choreographers wish to bring into existence two extremely interlinked dimensions of the body: the dimension of the body-object and that of bodysubject.<\/p>\n
To dance is to make the body a medium of communication; is to choose it as a human and vibrant matter, a body simultaneously psychologic and organic. Each movement plays its role of live and pulsing where tensions and shades circulate, turning the body into a true melodic chanting. The body is a symbolic force that testifies. It becomes a “political body” and a “geo-artistic” body.<\/p>\n
With this creation, Laurence Yadi and Nicolas Cantillon keep digging deep into a process they have been developing since ten years now: betting on a continuous movement fuelled by a desire to flirt with infinity and adjust, sculpt the body of the performer in a trance that reveals both its intimacy and universality.<\/p>\n
For almost twenty years, the choreographers have been travelling the world in a quest to find the essential movement; one which tells a story, transforms itself through the outside eye and transcends reality. Never trying to import the western body technique to a new place, they make new contemporary forms of the traditional movement appear. It is mainly in the Middle East that Laurence and Nicolas drew fundamentals of their dance: the Multi styles FuittFuitt.<\/p>\n
This dance is a battle in its own way: a sort of claim for a liquid body that is able to express some kind of critical awareness. The only guideline for the performer is to respect the instructions of the choreographers: to bend and never break.<\/p>\n","protected":false,"raw":"
For this new creation, the choreographers wish to bring into existence two extremely interlinked dimensions of the body: the dimension of the body-object and that of bodysubject.<\/p>\r\n
To dance is to make the body a medium of communication; is to choose it as a human and vibrant matter, a body simultaneously psychologic and organic. Each movement plays its role of live and pulsing where tensions and shades circulate, turning the body into a true melodic chanting. The body is a symbolic force that testifies. It becomes a \"political body\" and a \"geo-artistic\" body.<\/p>\r\n
With this creation, Laurence Yadi and Nicolas Cantillon keep digging deep into a process they have been developing since ten years now: betting on a continuous movement fuelled by a desire to flirt with infinity and adjust, sculpt the body of the performer in a trance that reveals both its intimacy and universality.<\/p>\r\n
For almost twenty years, the choreographers have been travelling the world in a quest to find the essential movement; one which tells a story, transforms itself through the outside eye and transcends reality. Never trying to import the western body technique to a new place, they make new contemporary forms of the traditional movement appear. It is mainly in the Middle East that Laurence and Nicolas drew fundamentals of their dance: the Multi styles FuittFuitt.<\/p>\r\n
This dance is a battle in its own way: a sort of claim for a liquid body that is able to express some kind of critical awareness. The only guideline for the performer is to respect the instructions of the choreographers: to bend and never break.<\/p>"},"parent":0,"menu_order":16,"template":"","meta":{"_fr_post_content":"
Avec cette cr\u00e9ation, les chor\u00e9graphes ont le d\u00e9sir de faire exister deux dimensions du corps extr\u00eamement imbriqu\u00e9es: la dimension du corps-objet et celle de corps-sujet.<\/p>\r\n
Danser, c\u2019est faire du corps un medium de communication ; c\u2019est le choisir comme mati\u00e8re humaine et vivante, un corps \u00e0 la fois psychique et organique. Chaque mouvement joue son r\u00f4le de lieux de vie et de pulsion o\u00f9 circulent les tensions et les nuances, faisant du corps un v\u00e9ritable chant m\u00e9lodique. Le corps constitue une force symbolique qui fait t\u00e9moignage. Il devient un \u00abcorps politique\u00bb et un corps \u00abg\u00e9o artistique\u00bb.<\/p>\r\n
Avec TODAY, Laurence Yadi et Nicolas Cantillon creusent la d\u00e9marche d\u00e9velopp\u00e9e depuis leurs d\u00e9buts: faire le pari d\u2019un mouvement continu, nourri par l\u2019envie de flirter avec l\u2019infini et ajuster, puis sculpter le corps dans une transe qui en r\u00e9v\u00e8le l\u2019intimit\u00e9 autant que son universalit\u00e9.<\/p>\r\n
Voil\u00e0 pr\u00e8s de vingt ans que les chor\u00e9graphes parcourent le monde en qu\u00eate du mouvement essentiel ; celui qui raconte, celui qui se transforme par le regard ext\u00e9rieur et transcende la r\u00e9alit\u00e9. Loin d\u2019importer les techniques corporelles occidentales ailleurs, ils font \u00e9merger des formes nouvelles et contemporaines \u00e0 partir du mouvement traditionnel.<\/p>\r\n
C\u2019est principalement au Moyen-Orient que Laurence et Nicolas ont puis\u00e9 les fondements de leur danse, le Multi styles Fuittfuitt.<\/p>\r\n
A sa mani\u00e8re, leur danse est une lutte ; une forme de revendication pour un corps fluide, capable d\u2019exprimer un sens critique. La seule ligne de conduite pour les chor\u00e9graphes est de plier sans ne jamais rompre.<\/p>","_fr_post_excerpt":"","_fr_post_title":"Today","_fr_post_name":"today","edit_language":"en"},"excerpt":{"raw":"","rendered":""},"_links":{"self":[{"href":"https:\/\/archives2025.cie7273.com\/en\/wp-json\/wp\/v2\/project\/34"}],"collection":[{"href":"https:\/\/archives2025.cie7273.com\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/archives2025.cie7273.com\/en\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/archives2025.cie7273.com\/en\/wp-json\/wp\/v2\/media?parent=34"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}