{"id":350,"date":"2020-07-07T13:21:54","date_gmt":"2020-07-07T13:21:54","guid":{"rendered":"https:\/\/cie7273.com\/?post_type=project&#038;p=350"},"modified":"2025-09-15T10:38:53","modified_gmt":"2025-09-15T10:38:53","slug":"3-2","status":"publish","type":"project","link":"https:\/\/archives2025.cie7273.com\/en\/project\/3-2\/","title":{"rendered":"","raw":""},"content":{"rendered":"<h4><strong>Three<\/strong> is the number of dancers you will discover on stage, three women who began this story in 2016, during a first version of the play.<\/h4>\n<p>During the creative phase, they passed like <em>shooting stars<\/em>, draped in shimmering costumes. Four years later, they deliver a refined version of extreme intensity in which they appear to confront an enemy that haunts the emptiness of the stage and on which they convey the strengths and weaknesses that drive them.<\/p>\n<p>3. is not an army, and yet these three women carry within them a whole arsenal that enshrouds us and rallies us to their cause. The exercise is fascinating with its radical form and pure gesture.<\/p>\n<p>With this piece the choreographers aimed to present the portrait of three women for whom dance is a weapon of resistance and a means of emancipation. For the soundtrack they asked Egyptian composer Maurice Louca to adapt his famous album <em>Salute the Parrot <\/em>(Nawa Recordings, 2014) whose powerful sound, in turns hypnotic and almost pounding, inspired this creation.<\/p>\n<p>&nbsp;<\/p>\n","protected":false,"raw":"<h4><strong>Three<\/strong> is the number of dancers you will discover on stage, three women who began this story in 2016, during a first version of the play.<\/h4>\r\nDuring the creative phase, they passed like <em>shooting stars<\/em>, draped in shimmering costumes. Four years later, they deliver a refined version of extreme intensity in which they appear to confront an enemy that haunts the emptiness of the stage and on which they convey the strengths and weaknesses that drive them.\r\n\r\n3. is not an army, and yet these three women carry within them a whole arsenal that enshrouds us and rallies us to their cause. The exercise is fascinating with its radical form and pure gesture.\r\n\r\nWith this piece the choreographers aimed to present the portrait of three women for whom dance is a weapon of resistance and a means of emancipation. For the soundtrack they asked Egyptian composer Maurice Louca to adapt his famous album <em>Salute the Parrot <\/em>(Nawa Recordings, 2014) whose powerful sound, in turns hypnotic and almost pounding, inspired this creation.\r\n\r\n&nbsp;"},"parent":0,"menu_order":15,"template":"","meta":{"_fr_post_content":"<h4><strong>Trois,<\/strong> c\u2019est le nombre de danseuses que nous allons d\u00e9couvrir sur sc\u00e8ne, trois femmes qui ont\u00a0d\u00e9but\u00e9\u00a0cette histoire en 2016, lors d\u2019une premi\u00e8re version de la pi\u00e8ce.<\/h4>\r\nLors de la cr\u00e9ation, elles passaient telles des \u00e9toiles filantes, drap\u00e9es dans leurs costumes chatoyants. Quatre ans plus tard, elles nous livrent une version \u00e9pur\u00e9e, d\u2019une extr\u00eame intensit\u00e9. Elles semblent venir en d\u00e9coudre avec un\u00a0ennemi\u00a0qui hante le vide du plateau, sur\u00a0lequel elles transportent les forces et\u00a0les fragilit\u00e9s qui les animent.\r\n\r\n<strong>3.<\/strong>, ce n\u2019est pas une arm\u00e9e, et pourtant ces trois femmes portent en elles tout un\u00a0arsenal qui nous\u00a0enveloppe et nous\u00a0rallie \u00e0 leur cause.\u00a0L\u2019exercice fascine par la radicalit\u00e9 de la forme et la puret\u00e9 du geste.\r\n\r\nLes chor\u00e9graphes souhaitent montrer avec cette pi\u00e8ce le portrait de trois femmes pour qui la danse est une arme de r\u00e9sistance et d\u2019\u00e9mancipation. Pour les accompagner, ils ont demand\u00e9 au compositeur \u00e9gyptien Maurice Louca d\u2019adapter son c\u00e9l\u00e8bre album <em>Salute the Parrot <\/em>(Nawa Recordings, 2014) dont le son puissant, tour \u00e0 tour hypnotique et proche du mart\u00e8lement, a inspir\u00e9 cette cr\u00e9ation.","_fr_post_excerpt":"","_fr_post_title":"3.","_fr_post_name":"3-2","edit_language":"en"},"excerpt":{"raw":"","rendered":""},"_links":{"self":[{"href":"https:\/\/archives2025.cie7273.com\/en\/wp-json\/wp\/v2\/project\/350"}],"collection":[{"href":"https:\/\/archives2025.cie7273.com\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/archives2025.cie7273.com\/en\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/archives2025.cie7273.com\/en\/wp-json\/wp\/v2\/media?parent=350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}