{"id":38,"date":"2019-10-25T13:46:47","date_gmt":"2019-10-25T13:46:47","guid":{"rendered":"https:\/\/cie7273.com\/nouveausite2019\/?post_type=project&#038;p=38"},"modified":"2025-09-15T10:38:54","modified_gmt":"2025-09-15T10:38:54","slug":"workshop-fuittfuitt","status":"publish","type":"project","link":"https:\/\/archives2025.cie7273.com\/en\/project\/workshop-fuittfuitt\/","title":{"rendered":"","raw":""},"content":{"rendered":"<h4>Each maqam describes &#8220;tonal-spatial factor&#8221; or set of musical notes and the relationships between them. It allows the musician to play in-between the notes and gives him the opportunity to express himself. To find an original way of playing the Maqam requests both rigor and imagination.<\/h4>\n<p>The transfer of this technique to the body is at the origin of Laurence Yadi and Nicolas Cantillon\u2019s choreographic research since 2003. It is what they call the <strong>Multi styles FuittFuitt<\/strong>.<\/p>\n<p>FuittFuitt can be danced by everyone!<\/p>\n","protected":false,"raw":"<h4>Each maqam describes \"tonal-spatial factor\" or set of musical notes and the relationships between them. It allows the musician to play in-between the notes and gives him the opportunity to express himself. To find an original way of playing the Maqam requests both rigor and imagination.<\/h4>\r\nThe transfer of this technique to the body is at the origin of Laurence Yadi and Nicolas Cantillon\u2019s choreographic research since 2003. It is what they call the <strong>Multi styles FuittFuitt<\/strong>.\r\n\r\nFuittFuitt can be danced by everyone!"},"parent":0,"menu_order":35,"template":"","meta":{"_fr_post_content":"<h4>Le groove du Moyen-Orient se\u00a0dit en arabe \u00ab\u00a0tarab\u00a0\u00bb. On obtient\u00a0le tarab gr\u00e2ce \u00e0 l\u2019ex\u00e9cution\u00a0du maq\u00e2m. Le maq\u00e2m est\u00a0un syst\u00e8me musical li\u00e9 \u00e0 la\u00a0religion musulmane qui\u00a0s\u2019\u00e9tend de la Chine au Maghreb.\u00a0Chaque pays, chaque r\u00e9gion\u00a0a sa fa\u00e7on particuli\u00e8re de\u00a0jouer les maq\u00e2ms.\u00a0Le maq\u00e2m est le\u00a0quart de ton, l\u2019entre-ton, qui\u00a0permet aux musiciens de\u00a0jouer entre les notes ; il donne\u00a0alors une libert\u00e9 de jeu qui\u00a0laisse l\u2019interpr\u00e8te exprimer\u00a0sa personnalit\u00e9. Pour trouver\u00a0son originalit\u00e9, le maq\u00e2m\u00a0demande rigueur et fantaisie.<\/h4>\r\nLe transfert de cette\u00a0technique au corps est \u00e0\u00a0l\u2019origine du Multi styles FuittFuitt sur lequel Laurence Yadi et Nicolas Cantillon travaillent depuis 2003.","_fr_post_excerpt":"","_fr_post_title":"Workshop FuittFuitt","_fr_post_name":"workshop-fuittfuitt","edit_language":"en"},"excerpt":{"raw":"","rendered":""},"_links":{"self":[{"href":"https:\/\/archives2025.cie7273.com\/en\/wp-json\/wp\/v2\/project\/38"}],"collection":[{"href":"https:\/\/archives2025.cie7273.com\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/archives2025.cie7273.com\/en\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/archives2025.cie7273.com\/en\/wp-json\/wp\/v2\/media?parent=38"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}