{"id":45,"date":"2019-10-25T14:08:48","date_gmt":"2019-10-25T14:08:48","guid":{"rendered":"https:\/\/cie7273.com\/nouveausite2019\/?post_type=project&p=45"},"modified":"2025-09-15T10:38:54","modified_gmt":"2025-09-15T10:38:54","slug":"la-vision-du-lapin","status":"publish","type":"project","link":"https:\/\/archives2025.cie7273.com\/en\/project\/la-vision-du-lapin\/","title":{"rendered":"","raw":""},"content":{"rendered":"
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Let us start by regulating ones account with the rabbit of the title.
\nOne will seek vainly here the fluffy expensive silhouette with our imaginary childish and our informed papillae. It is a performance “without animals” that\u00a0Compagnie 7273<\/strong>\u00a0invites us to. Nothing anthropomorphic in this vision ; this \u201cBugs Bunny\u201d belongs rather to a presupposition, a pretext to the formulation of a point of view on dance. Let us imagine this rabbit as a rhetoric process which defines a stake : the laboratory rabbit is the support of an experiment which aims at producing a result.<\/h4>\n

It guarantees the possibility of the lucky find, it is the obliged passage.
\nAnd it thus achieves its ambitious destiny by paying the full price. Because, in a hilarious scene, as addition to a true declaration of intent,\u00a0Nicolas Cantillon\u00a0affirms this need for a “price to pay” so that a little beauty occurs ; accidents, breakdowns, failures, short-circuits become the lexicon of grace. Understand this word without grandiloquence, nor insipidity but like a tension adapting to remain irresolute: “To be modern, is to know what is not possible any more<\/em>\u00a0“(Roland Barthes).<\/p>\n<\/div>\n","protected":false,"raw":"

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Let us start by regulating ones account with the rabbit of the title.\r\nOne will seek vainly here the fluffy expensive silhouette with our imaginary childish and our informed papillae. It is a performance \"without animals\" that\u00a0Compagnie 7273<\/strong>\u00a0invites us to. Nothing anthropomorphic in this vision ; this \u201cBugs Bunny\u201d belongs rather to a presupposition, a pretext to the formulation of a point of view on dance. Let us imagine this rabbit as a rhetoric process which defines a stake : the laboratory rabbit is the support of an experiment which aims at producing a result.<\/h4>\r\nIt guarantees the possibility of the lucky find, it is the obliged passage.\r\nAnd it thus achieves its ambitious destiny by paying the full price. Because, in a hilarious scene, as addition to a true declaration of intent,\u00a0Nicolas Cantillon\u00a0affirms this need for a \"price to pay\" so that a little beauty occurs ; accidents, breakdowns, failures, short-circuits become the lexicon of grace. Understand this word without grandiloquence, nor insipidity but like a tension adapting to remain irresolute: \"To be modern, is to know what is not possible any more<\/em>\u00a0\"(Roland Barthes).\r\n\r\n<\/div>"},"parent":0,"menu_order":31,"template":"","meta":{"_fr_post_content":"

Commen\u00e7ons par r\u00e9gler son compte au lapin du titre. <\/span>On cherchera vainement ici la duveteuse silhouette ch\u00e8re \u00e0 notre imaginaire enfantin et \u00e0 nos papilles averties. C'est \u00e0 un spectacle \"sans animaux \" que nous convie la compagnie 7273.\u00a0<\/span>Rien d'anthropomorphique dans cette vision ; ce Jeannot l\u00e0 s'apparenterait plut\u00f4t \u00e0 un pr\u00e9suppos\u00e9, pr\u00e9texte \u00e0 la formulation d'un point de vue sur la danse.<\/span><\/h4>\r\n
\r\n\r\nFigurons nous ce lapin comme un proc\u00e9d\u00e9 rh\u00e9torique qui d\u00e9finit un enjeu: le lapin de laboratoire est le support d'une exp\u00e9rience qui vise \u00e0 produire un r\u00e9sultat. Il garantit la possibilit\u00e9 de la trouvaille, il en est le passage oblig\u00e9. Et il accomplit ainsi son ambitieux destin en payant le prix fort. Car, dans une sc\u00e8ne d\u00e9sopilante, v\u00e9ritable d\u00e9claration d'intentions par ailleurs,\u00a0Nicolas Cantillon\u00a0affirme cette n\u00e9cessit\u00e9 d'un \"prix \u00e0 payer\" pour qu'un peu de beaut\u00e9 advienne ; accidents, pannes, ratages, courts-circuits deviennent le lexique de la gr\u00e2ce. Entendez ce mot sans grandiloquence, ni fadeur mais comme une tension s'accommodant de demeurer irr\u00e9solue: \u00abEtre moderne, c'est savoir ce qui n'est plus possible\" (Roland Barthes).<\/span>\r\n\r\n<\/div>","_fr_post_excerpt":"","_fr_post_title":"La vision du lapin","_fr_post_name":"la-vision-du-lapin","edit_language":"en"},"excerpt":{"raw":"","rendered":""},"_links":{"self":[{"href":"https:\/\/archives2025.cie7273.com\/en\/wp-json\/wp\/v2\/project\/45"}],"collection":[{"href":"https:\/\/archives2025.cie7273.com\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/archives2025.cie7273.com\/en\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/archives2025.cie7273.com\/en\/wp-json\/wp\/v2\/media?parent=45"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}