{"id":57,"date":"2019-10-25T14:16:13","date_gmt":"2019-10-25T14:16:13","guid":{"rendered":"https:\/\/cie7273.com\/nouveausite2019\/?post_type=project&p=57"},"modified":"2025-09-15T10:38:54","modified_gmt":"2025-09-15T10:38:54","slug":"romance-s","status":"publish","type":"project","link":"https:\/\/archives2025.cie7273.com\/en\/project\/romance-s\/","title":{"rendered":"","raw":""},"content":{"rendered":"

Romance-s draws from the source of the love experience to show a piece whose trajectory travels through the territory of the couple and the territory of dance, both of which are destined to intertwine, transform and question each other.<\/h4>\n

The plural – clearly detached from the title – proclaims the universal nature of the subject matter: the romance (a Spanish poem in octosyllabic verse, but also a sentimental song of a naive and touching character) evokes the common background to any love story, which reinvents commonplaces with absolute sincerity.<\/p>\n

More than ever, the piece is intended as a dialogue with the spectator, due to the choreographers’ commitment to this shared field.<\/p>\n

The plural also induces the multiplicity of types of perception offered by the performance: beyond certain recognizable references, the piece goes beyond mimesis to reach buried sensory zones, like a sleeping memory.<\/p>\n","protected":false,"raw":"

Romance-s draws from the source of the love experience to show a piece whose trajectory travels through the territory of the couple and the territory of dance, both of which are destined to intertwine, transform and question each other.<\/h4>\r\nThe plural - clearly detached from the title - proclaims the universal nature of the subject matter: the romance (a Spanish poem in octosyllabic verse, but also a sentimental song of a naive and touching character) evokes the common background to any love story, which reinvents commonplaces with absolute sincerity.\r\n\r\nMore than ever, the piece is intended as a dialogue with the spectator, due to the choreographers' commitment to this shared field.\r\n\r\nThe plural also induces the multiplicity of types of perception offered by the performance: beyond certain recognizable references, the piece goes beyond mimesis to reach buried sensory zones, like a sleeping memory."},"parent":0,"menu_order":24,"template":"","meta":{"_fr_post_content":"

Romance-s\u00a0puise \u00e0 la source de l\u2019exp\u00e9rience amoureuse pour donner \u00e0 voir une pi\u00e8ce dont la\u00a0trajectoire arpente le territoire du couple et celui de la danse, l\u2019un et l\u2019autre vou\u00e9s \u00e0 s\u2019imbriquer, se transformer, se questionner.<\/h4>\r\nLe pluriel, manifestement d\u00e9tach\u00e9 du titre, proclame le caract\u00e8re universel du propos : la romance (po\u00e8me espagnol en vers octosyllabiques mais aussi chanson sentimentale de caract\u00e8re na\u00eff et attendrissant) \u00e9voque le fonds commun \u00e0 toute histoire d\u2019amour, qui r\u00e9invente les lieux communs avec une sinc\u00e9rit\u00e9 absolue. Plus que jamais, la pi\u00e8ce se veut dialogue avec le spectateur, du fait de l\u2019engagement des chor\u00e9graphes dans ce champ partag\u00e9.\r\n\r\nLe pluriel induit \u00e9galement la multiplicit\u00e9 des types de perception qu\u2019offre le spectacle : au del\u00e0 de certaines r\u00e9f\u00e9rences reconnaissables, la pi\u00e8ce d\u00e9passe la mimesis pour atteindre des zones\u00a0sensorielles enfouies, comme une m\u00e9moire endormie.","_fr_post_excerpt":"","_fr_post_title":"Romance-s","_fr_post_name":"romance-s","edit_language":"en"},"excerpt":{"raw":"","rendered":""},"_links":{"self":[{"href":"https:\/\/archives2025.cie7273.com\/en\/wp-json\/wp\/v2\/project\/57"}],"collection":[{"href":"https:\/\/archives2025.cie7273.com\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/archives2025.cie7273.com\/en\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/archives2025.cie7273.com\/en\/wp-json\/wp\/v2\/media?parent=57"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}